brilliant Stonehenge replica built by Brian Edwards and described below

We are finally posting our interview with historian Brian Edwards, Visiting Research Fellow at University of the West of England, Bristol. Even if he were connected with Clonehenge in no other way, the fabulous Stonehenge replica above would cement his fame on this blog! We have never seen one with this level of detail: the bus, the Visitor Centre, the ice cream truck (!), little replicas of replica round houses (we always love little metas!), Stonehenge landscape mounds, and much more, including the bustard we saw when we were hosted at Stonehenge by Mr. Edwards three years ago, and, underneath, the much-dreaded tunnel! This Stonehenge replica is absolutely brilliant.

But there is more to this gentleman than this unique and wonderful replica. He is a historian whose broad area of interest contains within it the phenomenon of Stonehenge replicas and their history—perhaps the only such historian in the world! His article called ‘Mr Toagis’s Stonehenge: An exploration of an uncelebrated benchmark in replica henge monuments to mark the tenth anniversary of Clonehenge’, published in an academic journal, actually mentions us, and once he mentioned Clonehenge on the radio during an interview. Truly a friend of the blog!

That said, we found it advisable, due to the academic style of writing, to append a [tl;dr] at the end of his answer to the first question, for those who find it a bit intimidating. After that, the academic language eases up a bit and you’re on your own. The answers  to questions 2 and 5 are particularly good, but if you are interested in Clonehenge and Stonehenge replicas, do read it all. And at the end we’ve posted a link to that Clonehenge mug you’ve all been meaning to buy. Solstice giving time is approaching!

1. Clonehenge: What do you do, and how does it tie in with Stonehenge replicas?

I am the author of ‘Mr Toagis’s Stonehenge: An exploration of an uncelebrated benchmark in replica henge monuments to mark the tenth anniversary of Clonehenge’ (The Regional Historian, Annual Journal of the Regional History Centre, New Series No 1, 2018, pp. 26-31). Although not central to what I do, Stonehenge replicas offer entertainingly informative examples that illustrate my focus as a Visiting Research Fellow at the Regional History Centre, at the University of the West of England. My field is public history and historiography in relation to monuments. My research involves highlighting and interpreting contemporary and historical impressions of the past in the public domain, in comparison to what academic and professional historians discuss through learned journals and scholarly tomes. Having in excess of a three hundred year history of expressing consciousness of a prehistoric original, Stonehenge replicas highlight that throughout history monuments have been increasingly adopted, interpreted and reproduced in a variety of forms through layer upon layer of lay public interest irrespective of, and sometimes in contrast to, learned analysis and official sanction. Stonehenge replicas are not just fun, they are an important route through which anyone and everyone can join in. Moreover, as ‘Mr Toagis’ illustrates, replicas and their individual and collective histories offer various routes to studying.

[tl;dr: Part of what he studies is the public’s impressions of historic monuments, including Stonehenge. Also, as we said, he mentioned Clonehenge and it’s 10th anniversary in an article he wrote that was published in an academic journal!]

2. Clonehenge: What and when was the earliest Stonehenge replica you know of?

It is commonly believed that the earliest known Stonehenge replica was produced in 1714 by the great antiquary William Stukeley (1687- 1765): a model of the stones “as is” that he put on display in London in 1751. Between these times a Stonehenge replica in the form of a stage set appeared in a pantomime, and Stukeley advised on a large scale “as was” replica of Stonehenge that was to be erected in nearby Wilton in Wiltshire. However, the earliest replica is potentially an item of very early eighteenth century jewellery, later recorded as being acquired for a royal collection in Europe. If confirmed, it would predate Stukeley’s model by between seven and twelve years. Even that may not be the earliest example in recorded history, and of course for all that is known a replica may have existed in prehistory.

3. Clonehenge: When did you first get interested in Stonehenge replicas? When and how did you first learn about Clonehenge?

From memory Clonehenge almost immediately started to feature in conversations, it was topically discussed online by Wiltshire based enthusiasts, so I imagine I was aware through archaeological forum chatter quite early on. My personal introduction probably dates to encounters as a child, but I don’t recall any specific examples before the experience of witnessing the original from the A303. This was a typical stimulating encounter as experienced on journeys to and from the West Country for hundreds of years of course. That first time, in my case as a nine or ten year old, stands out because it fosters interest and makes one alert to other potential opportunities. Around the same time, I inherited an old unused sepia postcard of a Stonehenge model ‘in origin’ (early twentieth century San Bride postcard) that had been used as a bookmark inside a 1950s copy of Heyerdahl’s Kon-Tiki Expedition. This was among several books passed on by a friend of my mother, whose sons had reached adulthood and flown the nest. From the same family I received an ostrich egg, a boomerang, and a pair of Indian clubs.

4. Clonehenge: How many Stonehenge replicas or models do you own?

Anything Stonehenge or Avebury related that I acquire, I tend to donate to a Wiltshire archive or museum sooner rather than later. The only example of a replica still in my possession is a large glass topped coffee table housing a model of Avebury henge, destined for Wiltshire Heritage Museum at some point.

5. Clonehenge: How many Stonehenge replicas have you made? Would you describe one? We understand English Heritage is in possession of one that was of your making. How did that come about?

Earlier this year I built a replica from cheese puffs in order to photograph easy to follow stages for a competition. This was in connection with the Stonehenge Chubb Centenary Day, a village celebration of Cecil and Mary Chubb donating Stonehenge to the nation and us all one hundred years ago. Obliged to build a further replica for the same competition, but determined to be disqualified, I chose to make a model that was in excess of the size limit of 300 mm diameter. Supplemented by glue and paint, the materials were nearly all from what had been set aside for recycling. The basic idea started to expand as more and more of the contemporary dynamics that surround the original Stonehenge got included, and it grew into a three-tier construction.

The stones, visitors and official coaches formed the top layer, which also included some examples of the homes of some of the residents living on Byway 12, sometimes referred to as ‘The Drove’. A Great Bustard also features, in homage to the actual bird witnessed by the founder of Clonehenge when visiting Stonehenge. Complete with Perspex entrance kiosks and some of the replica huts seen at the actual site, the middle layer was a model of the visitor centre made from medicine boxes and water damaged cocktail sticks. The bottom layer included a replica of the Winterbourne Stoke barrow group, the other flanks featured the visitor centre car and coach parks, and on a corner a Speed-watch volunteer stood amidst road signage of the nearby village of Shrewton, the birthplace of Sir Cecil Chubb.

This section also included the proposed introduction of an A303 road tunnel, posed as a mock battle between skeletons and traffic within the World Heritage site. This idea of a tug-o-war between awakening skellies and the tunnel was prompted in particular by local traffic activists summarising contemporary traffic woes as the ‘living versus the dead’: this was the theme of a paper I presented at a post-medieval archaeology conference earlier in the year (“Slogans coined, songs written, rumours circulated,” … the withdrawal of post-medieval Stonehenge?) and is the basis of a forthcoming publication (The Living and the Dead: Public Engagement with Archaeology and the A303 at Stonehenge).

6. Clonehenge: Are there any particular things you like to see in a Stonehenge replica? Of those made by others, do you have any favourites?

Outside of competitions and such as predetermined school projects I am not keen on fixed rules, lest any sort of regulation would chicane imagination.  Whilst broadly following a trend a replica doesn’t have to contain anything specific and doesn’t have to resemble the original, it merely requires thought and where possible an original idea or element. In my opinion it is counterproductive to adopt a stiff view about accuracy: to do so even in passing in connection with a painting or a model of Stonehenge, isn’t in the best interests of encouragement and so is not doing our collective experience, and therefore knowledge and understanding, any favours.

Among those of us tending to appreciate anything built in replication and model form, there is always an added element of admiration for anything created by lay individuals, with domestic, mundane and recycled materials, and of course by children. Of those smaller versions I have seen Doe-henge (created for the Stonehenge Chubb Centenary Day) was particularly inspired, but surely we all love the cakes and relate to the food-henges. As regards a full size Stonehenge, my favourite replica is the original, it is not after all a time-honoured ruin but reconstructed with available parts and propped up with concrete.

7. Clonehenge: What thoughts do you have about the worldwide phenomenon of Stonehenge replicas and the fact that so many people spontaneously make Stonehenges? What do you think it says about public perceptions of Stonehenge?

The worldwide phenomenon of Stonehenge replicas illustrates the extent to which people are not only fascinated by the mysteries posed by the original, but seek to join in and enjoy developing tactile ways of experimenting. What this says to me about public perceptions of Stonehenge, is that those that care for and manage the original have no chance whatsoever of keeping up with public ideas, trends and demands, so expensively fixing on and committing to any given interpretation or presentation will inevitably find it outmoded and frustrating to elements of the wider public by the time it is enacted.

8. Clonehenge: Are there any further points you would like to make in connection with Stonehenge or the replicas? Do you expect them to become more popular in the future?

There will be replicas as long as there are schools and museums that recognise that every new generation can benefit from a fun way of engaging with the prehistoric original.

******

There you have it, friends—Stonehenge replicas, Clonehenges, if you will, will be always with us, so as long as we at Clonehenge live forever—and we have every reason to believe that we will—there will always be a Clonehenge blog here, mostly not being posted to. We certainly have many new henges to post, and more are appearing all the time. We have at least three more Large Permanent Replicas to do posts about, so we hope to post more soon. To see frequent henges in the meantime, follow us on Twitter and the Facebook Group and/or Page to see more that are popping up everywhere all the time!

As promised, here is the link to where you can buy a Clonehenge mug, a unique gift for your megalith-loving friends!

(If anyone in the UK would prefer the silver-tone rimmed enamel mugs below, much like the ones we gave to friends and people we admire in the UK, leave a message in the comments or email us at nancy@clonehenge.com. They are £10.10 per mug, shipping included. Shipping costs make it impractical to sell that model outside Europe.)

And so, until next time, Gentle Readers, we wish you happy Halloween*, joyous Samhain, and of course, happy henging!

*Send us your Stonehenge pumpkins!

From @EH_Stonehenge on Twitter:
“No, your eyes aren’t deceiving you, there are two monuments at Stonehenge today. One is a giant cake fit for 2,500 hungry guests! #SH100

Look at this! (And yes, we include the obvious rain in that demand.) Look at the lichen on those lintels! Look at the shapes of those stones, including the little bumps and creases! The three-lintel stretch and Stone #56! This has to be the most accurate Stonehenge cake ever (and we’ve heard it includes spiced apple and blackberry cream, or similar. We will look into this and report back with corrections to that crucial information). And there it is, with Stonehenge in the background! *sigh* Perfection.

Not far away, at the Visitor Centre, Jeremy Deller’s inflatable bouncy Stonehenge is inflated and ready for bouncing. What a day for Stonehenge and English Heritage, yes, but more importantly, what a day for Stonehenge replicas! How we wish we were there, gentle readers.

Reason for the celebration? On this day, 100 years ago, Cecil and Mary Chubb gifted Stonehenge to the nation. It hasn’t been perfect. There is reason to doubt, as Mr. Tim Daw so eloquently makes the case. And the tunnel threat could soon ruin some important landscape around it, as prominent archaeologist and Stonehenge expert Michael Parker Pearson points out.

Still, we are a humble blog about Stonehenge replicas, sitting safely in the warm and dry an ocean away from the festivities and for now we are enjoying the clonehenges associated with this celebration! Congratulations to all, including everyone at English Heritage, and may Stonehenge continue to reign in the hearts and minds of people around the world!

(And inspire them to build more and better models of it!)

Kiss the stones for us!

That day at the Red Lion, photo courtesy of Standing with Stones. We’re in there somewhere.

click on this picture to access the podcast

This post has been a while arriving. Way back in September, Clonehenge once again made the journey across the sea to visit old stones and old friends and meet new people. It felt like a headlong rush at the time, with insufficient sleep and more than sufficient alcohol, but it was also glorious. We would love to give you an account of it, but even our family fell asleep when we showed them the pictures, so we’ll let you off easy.

Since we’ve been home we have suffered some small-ish but distracting health problems, and it has taken us until now to get around to reflecting upon the wonder of it all. But wonderful it was, and among the wonders was the serendipity of having been staying just outside Avebury when there was a meeting planned at the Red Lion pub there, for both those affiliated with our longtime friends at The Heritage Journal and for those who made and those who admire the Standing with Stones film and podcast.

It was a treat to meet Nigel Swift from the Heritage Journal, who gave Clonehenge its first good write-up a long time ago, and a fun follow-up interview later. But we knew next to nothing, we are embarrassed to say, about Michael Bott and Rupert Soskin, who together make up the entity that is Standing with Stones. Very much to our surprise, they exclaimed upon meeting us that they had just mentioned Clonehenge on their podcast two weeks before!

Of course we have since listened to it. That whole episode of the podcast, which happens to be about megaliths around the world, is like all of their podcasts, entertaining and informative. The Clonehenge bit comes right at the end, their Bit of Whimsy. It is a delightful and flattering discussion of Clonehenge, the blog and affiliated bits. Yes, they do say we’re barking mad, and we have no argument with that, but they also call it brilliant—twice, if we recall. We’re still basking in the glow of it!

We are delighted to have met them, and it was also our very good fortune to meet the person they talk about in the segment of this podcast just before the Whimsy, what they call their Stone Head of the Month, but in this case, the Stone Head of All Time, who is founder and head of the Megalithic Portal, editor of the book you must have, The Old Stones, with information and in many cases pictures of over 1000 ancient sites in the British Isles, none other than Andy Burnham, the Megalith Master himself!

We met him. It was a good day. After all, it was due to a small competition or exchange with him in a chat box that used to be on the front page of his Megalithic Portal that Clonehenge was started at all. But that story has been told elsewhere. Among people interested in megaliths, in the U.K. and elsewhere, it is widely acknowledged that the Megalithic Portal has not only broadened horizons but changed lives. It has brought couples and good friends together and is an essential resource for fans of ancient sites around the world. Making Clonehenge possible is the least of its accomplishments.

The temptation now is to start listing all the other wonderful people we met during our trip to that fabled isle. We would love to say how delightful each one was, but the focus of this post, which has already gone on too long, is meant to be the podcast, and tangentially the meet-up, where we also had the great pleasure of the company of friends of the blog Brian Edwards and Simon Banton, and also new friends Hazel and Graham Orriss and their brilliant children.

We are flattered if not flabbergasted to have been mentioned by Standing with Stones. We are fortunate beyond imagining to have made the trip and to have gone inside Stonehenge twice, and to join friends to look for the sources of the bluestones in the Preseli Hills of western Wales. All of you who make Stonehenge replicas of every size and material have made this possible for us! We thank you.

And until next time, friends, happy henging!

Kavishaila in Kuppalli, Bangalore, India: beautiful photo by @nikhilvshetty on Instagram, used with permission.

A joyous solstice to everyone! Whether it is winter or summer where you are, the year is about to turn. And although Stonehenge somehow manages to get itself into the news many times a year, it is at the solstices that we hear most about it and see its picture spread across the net. Young and few and far between must be those people who actually learn anything new from all those solstice articles that show up rewritten as if new twice a year without fail.

That is why you were wise to come to Clonehenge this solstice. We won’t drone on about pagan ritual or the exact moment the sun hovers over the Tropic of Capricorn. We will drone on about other things, especially about Stonehenges—the ones that aren’t really Stonehenge.

It has been a big year for them. People are making more Stonehenges than ever, and even at Stonehenge itself in September, both a Stonehenge cake and Jeremy Deller’s inflatable bouncy Stonehenge made an appearance. There was a Stonehenge-making contest in Shrewsbury, and English Heritage had one, too, but we’re not sure that last received any submissions. And people everywhere kept making Stonehenges large and small.

Plus, just when we thought there couldn’t be any more large permanent replicas out there [Well, to be honest, we no longer ever think that. We’re just saying it for effect.], we learned about three: in Sumatra, India, and the Philippines! We hope to do posts about each of those and any on the Large Permanent Replicas list that we haven’t done posts about, in the near future, but until then, feast your eyes on the lovely photo by Nikhil Shetty at the top of this post. That is the one in Bengaluru, India, and it has an interesting story behind it.

A note: a lot has changed since the Clonehenge blog started in 2008. People’s habits and the internet itself have changed. It feels like the Clonehenge blog concept is getting as old and creaky as we are. We have had to accept that despite how fascinating we find the topic, most people don’t have time to read blog posts about inconsequential things like Clonehenges. The internet has endless attractions now. Yet the large permanent henges, at least, deserve a few paragraphs of description and, if possible, explanation.

From here on in, we will probably only post here on this blog when there is some kind of Stonehenge replica news—it does happen! ask the people of Achill!—or when we find a new large permanent replica to add to the list. Otherwise, Clonehenge activity will take place on the Clonehenge Facebook group or Facebook page, or on the Clonehenge Twitter account. This has mostly been true for a while, but now we’re announcing it. So may it be.

In conclusion, we send out our best wishes to all for a joyous solstice, a happy Christmas if you celebrate it, a merry New Year celebration, and a wonderful year in 2019! And of course, until next time, dear gentle readers, happy henging!

Bamahenge, photo by Dennis Church, use according to Creative Commons license 2.0

“As it is, I’m probably the only man in history to build two full-size replicas of Stonehenge,” says Cline. “And to think it took the Neolithic people 1,500 years just to build one.” —from the article “How Stonehenge Replicas Became The World’s First Meme,” by Jed Oelbaum.

“You know, I’ve got some more plans for doing more structures in southern Alabama. Let’s put it this way, when the aliens land, they’re going to be really surprised and confused. That’s all I’m going to say.” —Mark Cline quoted on this site, by Brian Kelly.

Anyone who knows Clonehenge by now will know by these two quotations that we must be great fans of Mr. Mark Cline, and indeed we are! In the early days of the blog we were in touch with him by email several times, about his first replica, Virginia’s Foamhenge. We enjoyed his intelligence, enthusiasm, and humour. And, well, sheer wackiness!

Why it has taken us years to do an entire post about his fantastic fibreglass Stonehenge in the state of Alabama is difficult to understand. The truth is, we had forgotten that we had only posted about it on Facebook and Twitter and not here on the blog itself  (except, of course, for listing it on the list of Large Permanent Replicas). Today at last we rectify that situation.

This replica was commissioned by George Barber, who is, among a number of other things, owner of a marina in Elberta, Alabama. It is impressive, but one could argue that, because the stones are more uniform in shape, this is not as fine a replica as was Foamhenge. There are no bluestones, either, no ditch and bank, no extra or outlier stones. But—this henge goes one better. In the woods all around it, there are dinosaurs! The addition may not make a more perfect replica for the Stonehenge perfectionist, if there is such a thing, but in the eyes of Clonehenge, this rockets it into the rarified stratosphere of The Greats! A much better choice than Easter Island heads!

The T-Rex, from the Elberta Dinosaurs FB page

As Atlas Obscura puts it on its Bamahenge post:
“Cline’s work is big, typified by the dinosaurs that dot the landscape around his Virginia studio. It was these sculptures that caught the eye of Alabama billionaire George Barber, who wanted some dinosaurs for himself. He had Cline install four—a brontosaurus, a T-Rex, a stegosaurus and a triceratops—along the edge of the woods near Barber Marina in Elberta. Barber was so happy with the ginormous creatures, he commissioned Cline to create a replica Stonehenge for the marina property, reminiscent of the “Foamhenge” that Cline built in Virginia in 2004.”

The whole thing has become quite an attraction in Alabama, with the only complaint being that it is somewhat difficult to find. Meanwhile, in the article by Jed Oelbaum that we quoted from above (and in which we figure prominently, so be sure to read it! ), Cline hinted at yet another Stonehenge replica commission that may come from George Barber. Owning two full-sized Stonehenges may never have been done before. Surely making three has not. Stay tuned for any news on that!

We leave you with this smattering of photos from a “Bamahenge” Google search. That’s Mark Cline in the third down on the left! He is truly a Clonehenge hero, contributing with humour, style, and a very American taste, to the Clonehenge epidemic. May he have joy, health, and prosperity as he henges!

And until we meet here again, dear readers, we wish you, too, some very happy henging!

Kavishaila in Kuppalli, Bangalore, India: photo by @nikhilvshetty on Instagram.

This one is lovely.

It is rare to run across a replica that is built for reasons that are truly moving, but this is one. Kuvempu, the poet playwright and novelist in whose honour it was built (portrayed in a Google doodle on the anniversary of his birth in 2017*) when he died in 1994, was and is truly beloved by many speakers of the Kannada language in which he wrote, especially those who love the natural world and high-minded philosophy. Wikipedia says of this monument:

“Kavishaila is a rock monument made of megalithic rocks and dedicated to Kuvempu. It is on the top of a small hill in Kuppalli. Arranged in a circular fashion, the rocks have been placed to resemble the Stonehenge in England. At the centre of this rock monument is the place where Kuvempu was laid to rest after his death and a memorial has been constructed at that location. Near this monument, is a small rock where Kuvempu used to sit and discuss about literature and other topics with his other literature friends.”

The view from this high place is said to be breathtaking, green forest stretched out below with a view to the hills. It is recommended to be there at sunset when, as you see in the picture above, on a clear evening the light streams through the trilithons onto the place where the poet was laid to rest.

We know of many monuments and sculptures that resemble Stonehenge around the world, but that we hesitate to post here because we are not certain they were built with Stonehenge in mind. In this case, however, there seems to be no doubt. We don’t know what the connection is that inspired someone to erect a Stonehenge in this man’s honour (and perhaps we could discover that if we could read his language), but maybe it was just that the mystery and beauty and sense of something truly great that Stonehenge represents to so many people is the same feeling that the writings of this poet and thinker inspire in people.

Yes, as far as form goes, it is only a partial circle of straight-sided stone trilithons. But as with the beautiful partial Stonehenge in the far north of the Galician section of Spain placed high and looking out to sea to honour those who died at the hands of the brutal Franco regime, its meaning helps it to transcend its form. If we were still awarding our (humourously meant! Yes, we know they had nothing to do with it.) druid scores, this would get a solid 8 druids. A thing of beauty.

Before we finish talking about it, here is a fun addition. Looking through Instagram one day, as you do, we found an image of a replica of this replica. If you know us, you know we love the meta quality of that. Here it is, built for a display at the Lalbagh Botanical Garden in Bengaluru, India. It also speaks to how well known Kavashaila is in India.

Our thanks to friend Barry Teague for making us aware of this memorial, and to Nikhil V. Shetty for kind permission to use his lovely photograph here.

Oh, wait! We almost forgot to mention, Clonehenge was mentioned in the Guardian newspaper this week! We got a mention and a link in the thoughtful and many-faceted article about the Stonehenge tunnel dilemma, The Battle for the Future of Stonehenge, by Charlotte Higgins. Truly a privilege and a little moment of fame for this humble blogger. Many thanks to you, Ms. Higgins, and to whatever little bird may have whispered our name in your ear!

And so until next time, Gentle Readers, once again we wish you happy henging!

*The Kuvempu Google doodle, in which he appears to be seated at the site where Kavishaila was built:

Durrington Stonehenge, photo and henge by Rhys Bliszko

Here is the latest update on the small Stonehenge being built outside the Stonehenge Inn in Durrington, Wiltshire. Daniel King of the Stonehenge Inn commissioned Bliszko Studio to sculpt and erect the Stonehenge replica because many tourists who visited Stonehenge complained about not being allowed to get close to Stonehenge or touch the stones.

“But people will be allowed to climb all over mine if they want,” King said. “It might be a bit smaller and not quite as old but at least you can get up close.”

We will no doubt post about about this again when it has been completed. We just felt it was time to applaud the work being done by artist Rhys Bliszko of Bliszko Studio !

Rumor has it the whole thing will light up at night. We can’t wait to see! Meanwhile it’s a great place to get a picture of a friend or yourself sitting on a trilithon.

And yes, we know we still have to post about the curious matter of Indonesia and its five Stonehenge replicas. We’re either just lazy or we’re trying to whet your appetite for it. You decide!

Stonehenge at Celosia Happy and Fun, photo by @dw_list93 on Instagram

We have mentioned that Indonesia seems to have a thing for Stonehenges. We know there are at least 3. A couple years ago we posted the most famous one: the one at Yogyakarta in the shadow of the volcano called Merapi. The one in our post today is less than a 2 hour drive away! We hope to bring you yet another Indonesian one soon, on the island of Sumatra, but for now let’s have a look at this Stonehenge in the Javanese park called Celosia Happy and Fun. Of the many attractions at this new amusement park, Stonehenge seems to be among the most popular, especially for selfies.

But there are many other very happy and fun things at this park: rides, costumes to wear, Teletubbies to pose with, a hobbit house, an Eiffel Tower, flower gardens, dancing to watch and much more. It takes a lot to live up to a name like Celosia Happy and Fun, but they are certainly making the effort here!

It strikes us, looking at Stonehenge replicas worldwide, that this attitude toward Stonehenges as being something happy and fun is largely an Asian thing. Except for obviously silly ones like Carhenge in Nebraska, rarely do we see as many joyous smiling selfies at replicas elsewhere. Moods can get kind of serious and witchy in photos taken at some of the European ones and those in the States, but in many of the Indonesian, Thai, Malaysian, and Chinese Stonehenge selfies we see real joy. That may be why we see the most rapid proliferation of Stonehenges happening in that part of the world.

We don’t know anything about whose idea this small and handsome Stonehenge was, what it is made of, or what inspired its creation in the first place. It just adds to the intrigue of how Stonehenge gets chosen again and again as something that will draw people, something that people around the world want and will visit even in replica form. Has the advent of the selfie been a driver of the increase in Stonehenges? Why aren’t Ph.D candidates flocking to explore this??

At very few Stonehenge replicas can you do this!

When we add all the Stonehenge replicas we have learned of recently our list of large permanent replicas will go over 100! If we ever get around to adding all of them, we should say. And that’s not counting questionable ones like modern trilithons that have recently been erected in Japan and the Czech republic.

We are in the situation in our personal life of having, as they say, irons in too many very different fires right now, and as a result the Clonehenge blog has been sorely neglected. Our apologies! Meanwhile it seems to be more relevant than ever as the replica numbers mount. You know, it’s strange: when we ask for apprentices no one seems to be interested in doing hours and hours of work with no hope of ever making any money. Where, oh where are the foolish idealists of old?

Foolishness, in our—well, maybe not as humble as it should be—opinion, is criminally underrated! As you no doubt have noticed, the fact does nothing to scare us off from our trademark foolishness. It’s too late to stop now!

We hope to bring you more from our list of as yet unlisted large permanent replicas, but who knows? We have been undependable about posting, monumentally so, one might say. haha Until we do post again, Gentle Readers, we wish you a happy equinox season and, as always, happy henging!

Find us on the FB group, Clonehenge: Stonehenge Replicas Unleashed, on the Clonehenge FB page, and/or our Twitter account.

Honestly, we never expected to be part of a Clonehenge event in our own town, but it’s a funny old world! In two weeks, on 21 September*, in Nazareth, Pennsylvania, U. S. of good old A., there will not only be a hayhenge of hay bales, but other Clonehenge-related things and activities for the whole family, except of course your hipster niece and nephew who think they are too cool for it (and they are perhaps the most Clonehenge-ish people of all, but don’t tell them we said so!).

The official press release reads:

Nazareth Hayhenge
For sponsor or vendor info contact Liz Wyant nazdowntownmgr@gmail.com

What: Nazareth Hayhenge
When: Saturday, September 21, 2019 from 9 am to 1 pm
Where: Nazareth Farmers’ Market, Center Circle, Nazareth, Pa
Online info: https://www.facebook.com/events/2239327842832335/

Inspired by Clonehenge, replicas of Stonehenge, Nazareth Hayhenge will be added to the Farmers’ Market on September 21, from 9 a.m. to 1 p.m. in the center circle.

There will be Stonehenge themed activities for your whole family to participate in. Foodhenge, a build your own version of Stonehenge made from food from the vendors at the farmers market, is open to people of all ages. There is a $5.00 entry fee with prizes awarded for each category being judged. There will also be a Stonehenge photo op on site, hay bale tic-tac-toe and a children’s play area where they can duplicate Stonehenge by using building blocks.

Here comes the good,—meaning laughable—part:

Famed Clonehenge author, Nancy Wisser, a Nazareth resident, was invited to visit Stonehenge a few years back and decided to write a blog about all the fun happenings around the world duplicating Stonehenge. She never expected her following to grow worldwide and was shocked at the outpouring of support. Nancy will be at Nazareth Hayhenge discussing Stonehenge and all of the replicas around the world, as well as the fall equinox, during this fun event.

If you are interested in getting involved in this event either as a sponsor or vendor, please contact Liz, nazdowntownmgr@gmail.com

Have some fun photos of the day? Post them to our facebook event and make sure to tag #NazarethHayhenge

“Famed Clonehenge author.” Yeah, no, not so much with the fame unless you count a few extreme Stonehenge nerds lost in a forsaken corner of the world called Wessex. And it really isn’t really fame on my part, just sort of a loose affiliation in which they and their favorite monument have all the fame but they somehow know my name. Still, we’re intending to enjoy all of this, including being called a famous author. Dream come true!

Aaannyyway, we would love to see you there if you’ll be anywhere nearby on that date. The event will be held from 9:00 a.m. to 1:00 p.m. There will also be a farmers market, so you will be able to buy veggie-type things, including apples, squashes, and possibly cider, plus baked goods, locally made breads and cheeses, and more. Henges will be made! Selfies will be taken! Costumes are encouraged! And somewhere in there I am to give a presentation about Stonehenge and Clonehenge, but don’t let that scare you off.

On the other hand, if you want to bring your family’s Stonehenge replica and show it to me, I’m fine with that! Or just come over to say hi and shake my hand. (If you’re dressed as a witch or a druid, I will want a selfie with you.) Heck, I’ll sign things if you want. Ask me questions about Stonehenge and watch me look vaguely embarrassed and do a quick search on my phone. If you have a question about a particular stone at Stonehenge, I know just who to refer you to! So there’s that.

We’re looking forward to it. If it’s a success, we may have a bigger one next year. We’ll do a follow-up post here after the fact. Many thanks to Liz Wyant, Austin James, Lori Bernardo, Eric Ferguson, Bryan Youpa, Clear Spring Farms, who are providing the hay, and Baarda Farms, who are providing many of the veggies for the henging!

We are now, in our official capacity as Clonehenge, declaring the 21st of September as International Henging Day! Wherever you are, make a henge out of any material you want. Turn your back on the news for a while, and do something ridiculous. Send us a picture if you want! That’s nancy@clonehenge.com .

So to all of you out there in Internet Land, we wish you some very happy henging, and a great autumn! Despite how everything seems, it’s a great world to be alive in.

*It will be almost equinox, and at equinox in the town of Nazareth, the rising sun shines right down Center Street to the circle where the even will be held, so it’s all perfect! Nazareth-henge!

the Popovka Stonehenge, photo by @carbitello on Instagram

The clonehenge of this post is a large stone circle with lintels. There are trilithons and photos we’ve seen lead us to suspect that there may be a stretch of three uprights with two lintels shared among them, something we like to see, but we haven’t been able to verify it.

Here’s what we know: Popovaka, along the most beautiful beach on the Crimean peninsula was for years host to a huge and wild electronica festival called KaZantip, or Z-City. It drew the rich and young and fit of Russia and surrounding areas. At first it was held in a partially built nuclear power station, never completed because of Chernobyl. It outgrew that and took over the beaches.

The KaZantip Festival claimed to be a nation of its own with “viZas” and guards around it. Slender young women in scanty bikinis were encouraged to attend. Decorated orange or yellow suitcases had some place in it (?). The yachts of the rich could be seen moored further down the beach. Drugs of various kinds seem to have been involved. (The well-known quotation of former U.S. President Lincoln applies here: “People who like this sort of thing will find this the sort of thing they like.”) The festival has since moved on to other venues. As far as we can ascertain the 2020 festival will be held in Kemer, Turkey. But we digress.

The point of all this is that smaller electronica festivals linger on in Popovka and trippy, trendy things and people still show up there. And as we have learned and as is evidenced by celebrations like Burning Man, wherever the minds of people ignite and burn, Stonehenges arise like mushrooms. You see one result above.

Search стоунхендж (Stonehenge) and Поповка (Popovka) and you may find more photos of this modern monument. It is a massive, impressive structure.

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#крым #поповка #казантип #стоунхендж

A post shared by Евгений Лимаренко (@no_game8) on Nov 25, 2019 at 7:15am PST

Unfortunately I haven’t been able to find out any more about it. Who built it and how, why someone decided to build it, and exactly when it was built, all of these are mysteries. The earliest photos we’ve seen of it date to 2017, three years after the big festival left that spot for bigger venues. If I learn more, I will post updates on this page and on the Clonehenge Facebook group.

Until then, take time to relish the wonder of a Stonehenge built on the most beautiful beach in Crimea, playground of the rich and beautiful. We keep finding more of these Stonehenge-ish creations around the world (many more posts yet to come!), and, yes, it makes us laugh, but it has also been making us stop and say, “That’s funny.” It’s become such a pervasive phenomenon that we hardly know what to make of it. For now we’ll just keep finding and reporting them. We still have a little time to accumulate data before the world ends and we have to draw any conclusions!

We hope.

Find us on the Clonehenge Facebook group: Clonehenge: Stonehenge Replicas Unleashed, on the Clonehenge Facebook page, or on the Clonehenge Twitter account. Generally the Facebook group has the most activity. Find new henges (but be aware: we know just about every one in the wide world), take pictures of the old ones and post them, or make and post your own. We are what you’re looking for to distract you from the impending apocalyptic dystopia! When you need us, we’ll be here.

And until then or until next time, friends, we wish you some very happy henging!

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Stonehenge#stonehenge#moaicoffee#suanpueng#ratchaburi#kitty_oh_travels#โมอายคอฟฟี่ (23Dec’17)

A post shared by OH’s diary (@kitty_oh) on Dec 24, 2017 at 11:39pm PST

Moai Coffee, Ratchaburi, Thailand: a meeting of moai, cyclopean walls, coffee, and of course Stonehenge. Seriously, humanity, how did this happen?  This is one of those instances when the Stonehenge replica gods seem almost malevolently whimsical.

We understand we may have a few new visitors to this site soon, after an advertisement in which Clonehenge is mentioned is shown widely, and this replica may demonstrate the Clonehenge aesthetic to the curious as well as any: contextless prehistory offered as entertainment, with a healthy side of cringe. Here at Clonehenge, this is part of what we love!

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Sheep at Stonehenge! See u in December, the real Stonehenge #MoaiCoffee

A post shared by pui10 (@pui10) on Oct 5, 2013 at 10:50pm PDT

Apparently this Stonehenge has been around since at least 2013 (at which time there were sheep grazing through it, but sadly it seems they have disappeared), but somehow we did not get wind of it until last year. Up front, we want to offer real respect to whoever decided to go so hard for the ‘”so bad it’s good” vibe they have going there. Moai Coffee is an instant classic.

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โค้งเขาค้อ ร้านนี้แจ่ม #moai #moaicoffee #khaokho #coffee #phetchabun

A post shared by Drift (@driftxray) on Dec 19, 2014 at 8:22pm PST

The business itself is a coffee and snack-to-light-meal stop on a popular route in western Thailand. In order to amuse and attract people it seems someone decided to give it an Easter Island head, also known as moai, theme. It isn’t clear just how many moai they have, but there are many and each is unique. Some are just big heads of various sizes, some show the entire torso. You can even buy moai mugs as souvenirs. Humourously the rest rooms are differentiated by a moai with a prominent mustache for the mens’ and a moai with brilliant red lipstick for the ladies’! This place clearly was created with the Instagram selfie celeb in mind.

How Stonehenge crept in there is as yet unknown but there is some confusion among many people about whether Stonehenge and Easter Island heads are related. Stonehenge replicas as far flung as Texas, Japan, and Illinois feature moai as accompaniment for reasons that have never been clear to us. Search ‘Stonehenge’ on Etsy and usually you will see one or two moai listed under that tag. There is also a horrible cartoon that shows a moai on one side of the world and Stonehenge somehow exactly opposite on the other side, with a body between them so that Stonehenge looks like its toes. People send us this cartoon often. (Please stop!)

Listen, we know there is a Youtube video of someone walking around Moai Coffee pointing at the moai and describing them as “stone men from Stonehenge, England” but we will not post that link here. He has been corrected many times in the comments, and besides we refuse to let it continue to ruin our lives. (Is it true that we gripped our heads in both hands and yelled at the screen the first time we saw it? I’m afraid that is merely unconfirmed rumour.)

There are cyclopean walls at Moai Coffee much like those at Sacsayhuamán in Peru, and a few photos show an ancient Egyptian motif in one area or another. We’re all about the Stonehenge stuff here, but the conglomeration of random cool-looking ancient stuff is also a phenomenon worth examining. Not by us, of course. Please, someone go examine it and get back to us.

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#stonehenge #replica #in #ratchaburi #province #at #moaicoffee #suanphueng . . . . . . . . . . #travel #traveler #travelphotography #teacher #teachersofinstagram #teacherlife #nature #naturephotography #photographs #camera #life #happiness #coffee #thailand

A post shared by Albert Bonion Urbano (@iamanelteacher) on Jan 1, 2019 at 2:46am PST

As for the quality of the replica itself, we judge it very good. The shapes of the stones are rough and close to accurate, which is rare. There is no attempt to make them uniform, a common error, but instead they capture the ancient rugged feel of the real thing. We don’t know whether it is aligned to the winter solstice, or if the lintels are curved but it does appear someone made sure that the inner trilithon horseshoe points toward the three-lintel stretch, one of our favourite tests for whether a builder actually looked at the current Stonehenge when they made it.

This clonehenge gets the official Clonehenge stamp of approval. 8/10, would visit! We will add this to our growing list of large permanent replicas. We have enough left that we have yet to post to take us over the coveted 100 number, so stay tuned. Don’t forget, you can get much more wholesome Clonehenge content on our Facebook group, which is the most active, our Twitter account, and our Facebook page.

We’ll be doing a post about the advert we appear in before long. Until then, friends, new and old, happy henging!

Clonehenge still from the Facebook Super Bowl commercial

The tale we are about to tell you may sound unlikely or even fictional, but in this strange alternative universe to which we have somehow been transported it is 100% true.

In December, a few days before Christmas, I and a small cohort of the Clonehenge faithful (Simon Burrow and Paul Stoffels) were flown, all expenses paid, to L.A. and put up in a swanky Hollywood hotel for two nights. Another member of the Clonehenge: Stonehenge replicas Unleashed Facebook group , Siobhán Jess Sarrels, lived closer and was brought in by limo to meet us the next day where we were ushered into another limo and driven to the site where a set including a small Stonehenge replica had been prepared.

There we were led to a big trailer which was ours for our time there. We were visited by wardrobe and makeup people, met some of the people who had been instrumental in bringing us there, and went to the set. We ended up spending most of the day doing a shoot along with some very genial actors meant to appear to be Clonehenge group members. The main acting direction was to “look badass!” One does what one can.

What we did not know that day (it was at winter solstice, although we were led to believe that this was a coincidence) was that our shoot was to be part of a Super Bowl commercial (advert, ad, whatever word you prefer). On 02/02/2020 it aired. For a brief instant, the name Clonehenge: Stonehenge Replicas Unleashed!, some very good friends of Clonehenge, and the person typing these words—the redhead with the dark glasses*—appeared before a huge audience of American football fans. At last glance, the video of the ad on Youtube alone has had almost 22 million views. Whether they were all me watching it over and over again will remain undisclosed.

Apparently, at least judging by the soundtrack of the video, whether we at Clonehenge headquarters know it or not, we want to rock. This is new information and we are now attempting to assimilate it into our worldview. The effort is ongoing.

At any rate, the whole thing has been a glorious adventure. Not only have 200 new members joined our Facebook group, bringing us over the 500 member mark, but this along with a radio interview we did on Australian Broadcasting in Sydney on the same day the commercial aired brought this blog’s stats up to near record levels.

To be honest, we had always expected to labor over this topic in obscurity until the end of our days, so this all comes as a bit of a shock. We can only assume that having had the 15 minutes of fame granted to everyone by Andy Warhol, we will now be able to crawl back under the rock from which we briefly issued and continue searching out Stonehenges in all the places where we all, frankly, know they should not be. In that sense, come to think of it, perhaps we do want to rock.

We hope to resume our slow listing of large Stonehenge replicas worldwide in the next post. It is likely to be posted with the same grace and lightning-like speed to which readers have become accustomed.

Thank you for finding us or for sticking with us all these years. Until next time, gentle readers, happy henging!

*photoshopping suspected

Find us:
the (now famous?) Facebook group
the Twitter

One of the great things about the ad we were in was the set. The Stonehenge replica we posed in had to be simple but it was still thoughtful. When we asked about it at the shoot we learned the makers were already gone. But good news! Our contact at the ad agency has gotten us the detailed explanation below from Production Designer Dylan Kahn. This is awesome! Many thanks!

(Markings in brackets in bold are ours and lead to footnotes below.)

Here’s basically how we pulled that thing off ..

I put a few images together that show the process

After I shared a bunch of research images of the real Stonehenge with Megaforce we then went and look at all the Clonehenge stuff together on FB[*] and google we could find.

Once we decided what we wanted to do , I built a 3d model of the pieces to help the set shop and I determined which shapes I liked best and thought would read easiest

From there I had the shapes carved in Beadfoam, the sculptors at vision scenery did that for us …using the reference and model as a guide

We then had those approved by MF for size and scale …

Heres a pic of me and the Alicia our Paint / sculpture foreman in front of them that we shared for size. You can see we numbered and then carved each trilithon as close to the model and real shapes as we could…so they were as close to the real thing as possible.

Knowing that they would be seen by not only the Clonehenge FB group people but more importantly[???] an additional 100 million Super Bowl watchers …

Following approvals from MF i then had them coated in concrete…we used the quick setting stuff that comes in 50lb bags. We troweled that on and kept it as rough as possible.

Once that was dry, I had them put a white wash on some of the stones and then a solid gray each on the others so it looked as though some were not yet dry, as MF wanted the vignette to show the group mixing cement and making them.

All in all they turned out great !

Notes: MF above stands for Megaforce. Wieden is Wieden and Kennedy, the ad agency responsible for making the ad.
Our own footnotes:
[*] Yay!
[???] Say what????

There it is. We wouldn’t be Clonehenge if we weren’t curious to learn how replicas are made. This process was fascinating to us. As to the thinking behind including us in the first place, that of course remains an utter mystery!

Our thanks to Maureen Doyle (for many things!) and Jewel Estephanos for getting us this information. And to everyone who had anything to do with the creation of the ad, especially all of the lovely people we met and were in touch with during the process.

Who knows what will happen with Clonehenge next! But until next time, friends, happy henging!

Hello. We have fallen behind on this blog and its maintenance, perhaps irrevocably, so we’re doing a post to say hello and tell you what’s been happening in the topic of Stonehenge replicas.

This used to be a single manageable topic. Combining large permanent replicas, home replicas, small exhibit replicas, and larger temporary Stonehenge replicas didn’t seem like taking on a lot. There just weren’t that many of them, at least not posted online.

But things have taken a turn since then. Numbers have increased in every category. We find large new Stonehenge replicas, large Stonehenge-like circles, large trilithons, including sculptures and fountains, very frequently, all over the world. Stonehenge replicas for advertising and for display or exhibit purposes have become more common, or at least posted more often and therefore easier to find, and the number of at-home replicas and models has gone through the roof.

In the interest of documenting Stonehenge replicas, we still do searches every day, especially on Twitter and Instagram, keeping links to anything interesting in a file on our computer. That list has grown to hundreds of examples, large and small. If we posted all of them on Twitter or our Facebook group or page, people would be overwhelmed and unfollow us en masse. In short, people are making a *lot* of Stonehenges. It’s great, but we can’t keep up.

We still intend to work on and complete the Clonehenge map of permanent replicas around the world, but for now just adding a link for each one instead of trying to include photos and info. Once we have that basic map, then we or other people can improve it over time. Our original ambitions for it are not realistic in light of how much time we currently can spare to do the work.

Lockdown inspired a lot of people to try their hands at Stonehenge replicas, and 95% or more of those were made by people who never heard of Clonehenge. This burgeoning phenomenon has nothing to do with our existence, which makes it all the more curious. Stonehenge is looming larger and larger in the zeitgeist.

This all sounds very serious, but we do still think Stonehenge replicas are funny. We just wanted to take a minute and catch you up with what has been going on. We’re working on learning how to reblog things on Instagram, so we can have a presence there, reblogging every Stonehenge we find every day, with the entire original post. That’s a goal. It’s fascinating what people come up with, from dusty cement block Stonehenges in vacant lots to aesthetic little Stonehenge replicas made to look pretty on Instagram, and all of the usual zany and ingenious versions that seem to come out of nowhere to delight us. We see the most creative and joyful side of people every day.

We’re not sure what the answer is to the problem of overwhelming numbers of replicas, how we can best cover them in the time we have in our lives, which is not a lot. This is a non-paying hobby that is increasingly taking the time you would allot for at least a part-time job. It would be a full-time nonpaying job if we were doing everything we probably should.

Is there a place where we should post every single interesting replica we find? Does anyone out there know what might work? We considered finding people to help with different segments: someone for large replicas, someone for social network replicas, someone to catalogue museum and other exhibit replicas, but a lot of time would be required, for no pay.

We always meant to be thorough and to document everything about this topic that we could, including the history and backstories for important replicas, many of which we know more about than almost anyone. We don’t see a way to do that now, and it’s a shame because it has become a bigger, and so more important, topic than we ever imagined it would be. We’re going to keep brainstorming how best to present the replicas and sometimes the people making them. Unlike in this post we hope to make it entertaining and engaging. We’ll see what develops.

There’s some kind of big psychological thing going on here, making people create these replicas, and it’s our hope that someday someone looks into that. For now, we will continue to observe, and in our private files at least, document what we find. I can’t promise how often we’ll post here on the blog in the time to come, but it costs us a bit of money to maintain so we hope to keep using it. Most Clonehenge activity takes place in the Facebook group and page, and on the Clonehenge Twitter account. Our feed on Twitter overlaps with but is different from the accounts on FB. You can contact us there any time.

We hope you had a happy and uplifting solstice and that the turn of the year brings good things! Thank you for being there and until next time, friends, happy henging!

Hello! We are here to say that we are honored to have been mentioned in the Cabinet of Curiosities blog, written by Philip Steadman, esteemed author, researcher, and emeritus professor. His Clonehenge post is not just about Clonehenge but about Stonehenge replicas in general with added facts and perspectives. It is a delightful read. Discussing Jeremy Deller’s iconic inflatable Stonehenge entitled “Sacrilege”, Steadman writes: “When inflated the stones erected themselves gradually like waking elephants, and visitors could bounce with abandon on the green ‘turf’.”

We tend to think there is very little about Stonehenge replicas that we don’t know. We had not read, however, that the now defunct Fridgehenge in New Mexico “was built by ‘slaves’ in loincloths as a protest against consumer culture and the planned obsolescence of white goods.” And we must have been told this but had forgotten that “It seems that the very first [Stonehenge replica] was at Wilton House in Wiltshire, built in the 18th century, but nothing of this remains.“

Of course the best bit in the post is the three words “wonderful Clonehenge blog“. That alone has inspired us to begin posting here once more. We have many Stonehenges and Stonehenge-ish things in our files that have yet to be posted on this blog and we hope to improve that situation in the weeks to come.

We are off Twitter and Facebook until some time in early November, but we hope to see you here. Until next time, friends, happy henging!

Japan has its share of large Stonehenges. We have posted the impressive one at the Gunma Observatory and the glorious one (with Buddhist shrine inside and a line of moai nearby!!!) at Makomanai Takino Cemetery in Sapporo. Here is yet another one, large and handsome, at Hanazono Rugby Stadium in Osaka. We’re guessing the thinking went: “Rugby is English, and what else is English? Stonehenge! We’ll build a Stonehenge!”

At any rate, the construction is suitably rugged in style to match the game. It isn’t a full Stonehenge like the others in Japan, but a bit abstract with several solid trilithons. For the Clonehenge connoisseur it is reminiscent of the exceptional Stonehenge in Odessa, Texas. In one article the Daily Mail captioned their photo with the curious words “Stonehenge-like objects”.

We would love to know more, though. Whose idea was this? What was their thinking? Who designed it? Who built it? Where did the stone come from and what kind is it? Is there a plaque or some kind of dedication? If anyone can give us answers, we would be grateful.

In the 12 years we’ve been doing this blog, many new Stonehenges have appeared. We think the form’s popularity is due at least partly to the satisfaction of visiting a sculpture or construction that offers familiarity, simplicity, large size, and the pleasure of being able to interact with it, to actually walk through it. Add the hint of the ancient and of mystery that is associated with even the idea of Stonehenge and you have an attraction that many people will be eager to visit.

It has been suggested that a Stonehenge much like the real one be built near the original Stonehenge, to offer visitors the full experience of the stones without further threatening the ancient monument itself, many aspects of which, despite its rugged appearance, are fragile. As we are among those who have seen firsthand the damage created at Avebury and West Kennet Long Barrow by public free access there, we have to agree that a close imitation offering the spacial and tactile experience of the stone circle would in the long run serve the public well.

Future generations would appreciate the preservation of the original and current generations would benefit by the extraordinary experience of walking freely in the circle, feeling the extraordinary ambience the stones create just by their form, size, and positioning. Even better might be two imitation Stonehenges with access, one as the monument stands now and one how it is envisioned to have been if and when it was completed.

But that’s far afield from Hanazono! Blood, sweat and rugby! And Stonehenge! A winning combination.

And until next time, friends, happy henging!

Stonehenge at Dino Park, Bled, Slovenia. Photo by Lazan K. on TripAdvisor.de

Triceratops at Bled’s Dino Park. Photo by Braun B on TripAdvisor.de

Thumbnails from a Trip Advisor page about the Dino Park.

As small replicas in parks go, and there are quite a number of them at this point, may in miniature landmark parks, this is a good one. The shapes and bulk of the stones mimic the real thing. It’s always a pleasant surprise when someone building a replica of Stonehenge actually takes time to look it it first. In this case they clearly did. Hurrah!

Dino Park Stonehenge from blog Sunee Sees the World

There are dozens of Stonehenges around the world that we haven’t posted here yet (and should!) but we chose this one because it appears to be part of a new trend along with an old one. The new trend is Stonehenges in parks for children, and the old one being Stonehenge somehow eternally tied up with dinosaurs. Another example is this Stonehenge in La Guaña Megalith Park in Spain inexplicably accompanied by a velociraptor!

Stonehenge in La Guaña Megalith Park, Avila, Spain, and nearby velociraptor

There are more. But the Stonehenge replica world has always been an odd one, and that’s what we love about it!

11 years ago years ago, 19 June, 2010, the Doctor Who Pandorica episode first aired. An iconic episode made even more memorable by Matt Smith’s epic delivery of the I AM TALKING speech.

But you know what we’re interested in: was the Stonehenge real or fake? Well, it’s complicated.

Much of the scene was filmed at Stonehenge itself with a fake stone brought in for Matt to stand on. But additional bits were shot at another location: a foam Stonehenge replica built outside Port Talbot in southern Wales. Those very (perhaps unhealthily?) familiar with Stonehenge, like ourselves, can recognise shots where the stones don’t quite look right. Those were done at the foam replica, in the pouring rain apparently.

Our thanks to friend Simon Banton and to the Matt Smith News Page for some of this information! Happy solstice tomorrow and to all of our friends out there, happy henging!

Send us your henges on Instagram, Twitter, or FB. Just look for Clonehenge!

Hear the wonderful Philip Adams interview Clonehenge on ABC Radio in Australia, here and find out what Clonehenge is all about. The interview was held on 17 May, 2021.

It was an honour to speak with him, and it also turned out to be tremendous fun.

Since it’s that time of year we wish a happy solstice to all, whether it’s winter or summer you’re celebrating. And of course, to all our friends everywhere, happy henging!

(Again, if you missed the link: here it is.)

In gearing up for the Clonehenge World Map which is due to be finished by September or October, we commissioned a new logo and a new banner image to use on our social media accounts. In the banner above you can see, left to right, the Odessa, Texas Stonehenge, the Maryhill Washington State Stonehenge, Carhenge in Nebraska, and a small wooden Stonehenge. We think Lena Bane, the artist, did a wonderful job.

A side effect of this is that we can now offer Clonehenge merchandise bearing the new images! To do this we have opened 3 shops on Etsy, one for the U.S., one for the U.K., and one for Australia. All of them are print-on-demand, which means the items are printed after being ordered, in the country where they were ordered, and none have to be shipped internationally unless you are ordering from outside those 3 countries.

You can order from the UK shop here: Clonehenge UK

You can order from the Australian shop here: Clonehenge Australia

And you can order from the US shop here: Clonehenge US

So far we only offer mugs and t-shirts but we’re open to suggestions or requests for other items.

Here we see long time friend of Clonehenge Simon Burrow sporting a brand new Clonehenge t-shirt:

And here is friend Timon Greenwood with a Clonehenge banner mug!

Purchases will of course help us to defray the costs of having the beautiful graphics created by Lena Bane, @lenabanegx on Twitter. But the best part of course will be how unattainably cool you will become just by owning one of these rare collectors’ items!

So thank you in advance for any purchases you decide to make! By the way, we did another interview recently, this time on BBC Somerset in the U.K., and we think Stonehenge replicas and the ideas around them are just coming into their own. There are a lot of you with fun ideas out there. We can’t wait to see them. And if you buy our merchandise, please send or post pictures!

And until next time, friends, happy henging!